Festivals: call for entries

National award "Urker" Call for Entries!

 

Deadline: September 1st 2024 

Read more...
 

ALTERNATIVA FILM Labs announces an open call for the Impact Lab_kg

 

Deadline: 05.08.2024. The Impact Lab will take place from September 26 to October 1 in Bishkek, Kyrgyzstan.

Read more...
 

ALTERNATIVA FILM Labs announces an open call for the Impact Lab

 

Deadline: 05.08.2024. The Impact Lab will take place from September 26 to October 1 in Bishkek, Kyrgyzstan.

Read more...
 
Tuesday, 01 May 2012 00:00

 

“Kyrgyz Miracle”: The Heat

 


 



 

 
Tuesday, 01 May 2012 00:00

 

“Kyrgyz Miracle”: White Mountains

 


 



 

 
Tuesday, 01 May 2012 00:00

 

“Kyrgyz Miracle”: Mother's Field

 


 



 

 
Monday, 30 April 2012 00:00

 

“Kyrgyz Miracle”: Sky of Our Childhood

 


 



 

 
Monday, 30 April 2012 00:00

 

“Kyrgyz Miracle”: Gunshot at Karash Pass

 


 



 

 
Sunday, 22 April 2012 00:00

 

New edition of the BLIFE journal have released

 

#2, 2912, 44

 



 

 
Sunday, 08 April 2012 00:00

Will we take a epic?

 
 
 
Monday, 02 April 2012 00:00

Most popular review of the web CDF: Letter to Santa (2010)

 
Before New Year small girl wrought a latter for Santa Clause with request about the present. This present is very important for her. A lot of events have happened in a small mountain village where small girl lives while the latter come to the recipient…
 
Friday, 23 March 2012 00:00

Victor Kossakovsky: ¡Vivan Las Antipodas!
(reviewed by Birgit Beumers © 2012, Kinokultura.com)
 
Victor Kossakovsky’s documentary ¡Vivan Las Antipodas! (Long Live the Antipodes) screened as opening film in the Orizzonti section at the 68th Venice International Film Festival and later in the year enjoyed great success at Mar del Plata. In the prologue, Kossakovsky identifies both his motivation and the geography of his film: quoting Lewis Carroll from Alice in Wonderland (“I wonder if I shall fall right THROUGH the earth! How funny it will seem to come out among the people that walk with their heads downward!”), he suggests we may look for contradictions, but he also signals the use of the mirror as a surface that reflects and allows access into the inner, hidden world, not unlike in Tarkovsky’s oeuvre. And he gives us a simple map with the four axes we are going to be introduced to—four only, as most other places have their antipodes in the oceans.
 
Thursday, 08 March 2012 00:00

Article about «Kurmanjan Datka»

  

 
<< Start < Prev 31 32 33 34 35 36 37 38 39 40 Next > End >>

Page 37 of 41