Saturday, 19 April 2014 00:00 |

Rita Safariants: review about Princess Nazik
At first glance, Erkin Saliev's feature film, Princess Nazik (2012), is a familiar narrative of the prodigal father reconnecting with his precocious young daughter set against the backdrop of rural life in post-Soviet Kyrgyzstan. In a deliberate nod to the late Soviet tradition of naturalistic cinematic depictions of imperfect family life that have seen numerous permutations from Vladimir Men’shov’sMoscow Does Not Believe In Tears (Moskva slezam ne verit, 1979) to Vasilii Pichul’s Little Vera (Malen’kaia Vera, 1986) and Karen Shakhnazarov’s American Daughter (Amerikanskaia doch’, 1998), Saliev crafts yet another story of complex human relationships and the dexterity of a child’s imagination.
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Wednesday, 16 April 2014 00:00 |

Natalia Vagonova: review about documentary Ailanpa
Natalia Vagonova was born in 1987 in Moscow. She is studing at filmlogist department, VGIK. Last year Natalia took part at the shooting of the film Kurmanjan Datka in Kyrgyzstan. Ms. Vagonova like Kyrgyzstan and Kyrgyz cinema. Now we are presenting her review about documentary Ailanpa made by Valery Vilensky & Konstantin Orozaliev.
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Monday, 07 April 2014 00:00 |

Today in VB: article about Kaarman Ashimov (1938 - 1992)
Kaarman Shimov - first Kyrgyz filmologist & film-critic, during 10 years he was Kyrgyzfilms's director.
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Sunday, 30 March 2014 00:00 |

ELIME in March-2014: articles about Ruslan Akun & Gulbara Tolomushova
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Tuesday, 25 March 2014 00:00 |

Today in VB: article about Forum for Young Cinema "Hope"
The second edition of the Forum for Young Cinema "Hope" will be in Bishkek 17-19 of the March 2014.
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Monday, 24 March 2014 00:00 |

Altynay Temirova about Forum of the young cinema Hope, part 2
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Sunday, 23 March 2014 00:00 |

Altynay Temirova about Forum of the young cinema Hope, part 1
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Tuesday, 11 March 2014 00:00 |

Review about HERITAGE (short fiction) made by M.Mambetakunov
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Monday, 10 February 2014 00:00 |

Berlinale: 40 Days of Silence tackles Uzbek women’s tribulations by Joseph Proimakis.
07.02.2014 - Metaphysical eeriness meets the practicalities of rural Uzbek life in a female-centred drama that demonstrates an acute social awareness. Wrapped in an atmospheric veil disguising it as a metaphysical drama, Saodat Ismailova’s feature debut 40 Days of Silence tackles a lot more than meets the eye, dazzled as it may be by the director’s mesmerising framing techniques.
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Tuesday, 28 January 2014 00:00 |

The Climbing to Mount Fuji - 25 years!
ANTI–PENANCE
This article is devoting to the 25th anniversary of the release of the movie “The Climbing to Mount Fuji” by Bolot Shamshiev.
In the motion picture “The Climbing to Mount Fuji” (1988) one of the classics of Kyrgyz cinema, Bolot Shamshiev assigned primary importance to a problem of moral choice between the truth and the lie, between responsibility and unscrupulousness, between memory and forgetfulness.
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