Festivals: call for entries

Reception of applications for Kazan International Muslim Film Festival is still in progress

 

On February 1, submission for the XX Kazan International Muslim Film Festival started. The submission will last till June 1, 2024. The Selection Committee will finish its work by the beginning of July. After this, the official selection will be announced.

Read more...
 

ALTERNATIVA FILM PROJECT call for entries: Development Lab

 

Deadline: 28.04.2024

Bukhara, Almaty and online, June-October 2024

Read more...
 

Kyrgyz Serial: The contest of scripts (2024_kg)
 
Read more...
 

India & Kyrgyzstan: new horizons?
 
On the October 9, 2013 the General Director of the National film-studio Kyrgyzfilm Taalaybek Kulmendeev have met with the Ambassador of India in Kyrgyz Republic.
 

"Tadas Blinda" - a film from Lithuania in Bishkek's Cinema House
 
It will be on the 11th of the October 2013 in Cinema House, Bishkek at 3 pm.
 
 

Cinema in Central Asia - new book have published in London
 
Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia,  Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section compprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers.
 
 

18th Busan IFF have published a new book

 
 
 

Minister of the culture Sultan Raev have met with winners of the IFF

 
 
 

Elena Stishova: Money is not happiness

 
 
 

18th Busan IFF (3-12 October, 2013): Unknown new wave Central Asian Cinema

The Central Asian new wave produced far more art than is known overseas but many masterpieces have disappeared, for innumerable reasons. This year’s special program, “The Unknown New Wave of Central Asian Cinema,” was designed to position these forgotten new wave films in their rightful place within world film history. Though countless works will never be recovered and the state of other prints is poor, eight masterpieces from four countries will be screened for audiences once again.
 

Unknown New Wave Central Asian Cinema

 

Korean & Central-Asian film forum, 02.10.2013

 
 

Program of the Korean & Central-Asian film forum, 02.10.2013

 
 

Reliz of the film "Ayat 3" and a new wave popularity Azamat Arykov - 2

 
 
<< Start < Prev 211 212 213 214 215 216 217 218 219 220 Next > End >>

Page 219 of 283