Festivals: call for entries

Reception of applications for Kazan International Muslim Film Festival is still in progress

 

On February 1, submission for the XX Kazan International Muslim Film Festival started. The submission will last till June 1, 2024. The Selection Committee will finish its work by the beginning of July. After this, the official selection will be announced.

Read more...
 

ALTERNATIVA FILM PROJECT call for entries: Development Lab

 

Deadline: 28.04.2024

Bukhara, Almaty and online, June-October 2024

Read more...
 

Kyrgyz Serial: The contest of scripts (2024_kg)
 
Read more...
 
Tuesday, 20 January 2015 00:00

The Move will be shown in Rotterdam
 
44th edition 21 January - 1 February 2015. The Move by Marat Sarulu (Kyrgyzstan) nominated for The Big Screen Award.

 

It will be four screenings of the movie The Move during IFF Rotterdam:

 

1. Cinema 3,  Wed 28 Jan, 18:45

2. Schouwburg Grote Zaal, Thu 29 Jan, 11:30

3. LantarenVenster 1, Fri 30 Jan, 09:30

4. Pathé 4, Sat 31 Jan, 18:45

 

 

An old man and his little granddaughter peacefully live in a small village by the river. One day his daughter pushes him to sell the house and move with her to the city. An epic family drama and an outstanding piece of cinema. Minimalist and monumental at once. Nominated for The Big Screen Award.
 


Just as in his earlier work - including Song from the Southern Seas (IFFR 2009) - Kyrgyz filmmaker Marat Sarulu again demonstrates his links to traditional life in Central Asia. An old man lives with his granddaughter in a village by the river. A simple life in an imposing landscape, which Sarulu sketches in calm, meticulously composed images.
Everything changes when the mother returns from the city to fetch her father and daughter. They’ll be much better off in the city, but the house and money that the mother deems within their reach turns out to be as intangible as a dream. In this minimalist drama, Sarulu shows how heartless reality forces itself on the three of them at the edge of a rail yard.
In evoking the feeling of sorrow about the fragility of existence, the director mirrors a trend in Japanese art that is called yugen.

 

Please open the web of IFFR - here

 

Own inf.